I've been away from home for over two weeks now, traveling first in Croatia and Italy with my husband, Don, and now settled at Cascina Rodiani in Drezzo (in northern Italy near Como) for teaching two 6-day workshops. The first class is over and new students are arriving today. As someone who craves solitude, I have welcomed this small break. But I'm very grateful for all that has happened on this adventure so far, and for the many interesting interactions with people of various cultures and backgrounds.
My thoughts about the effects of travel continue...in my last post I talked about recent changes in my work, and that I've become less interested in interpreting specific locations and more in a wider conceptual expression. But because life and art never seem to move in a predictable, linear way, in Drezzo I once again feeling the effects of specific location. It makes sense, with so many visual impressions from travel and new experiences. Now is a time to gather up ideas that may eventually fit in with the larger direction in my work.
On this trip II've been soaking up color --the brightly painted houses in small villages, piles of fruits and vegetables in the market, beautifully arranged plates of food at nearly every meal, and rich patinas like on the old wine barrel below.
I also love the quieter palette of white buildings with red tile roofs, the subtle green of the olive trees, the pale nuances of marble. During our time in Florence with my friend Allison B. Cooke and her husband, I took dozens of closeup photos of old walls and fragments of frescoes seen in the churches of San Marco and Santa Maria Novella; there is a particular feeling in these ancient, worn surfaces of pale greens, gold, blues and pinks that strikes a deep chord.
So, in Italy, color has been on my mind in the works on paper I've done as class demos and on the side. It's an interest that has been brewing in certain works back at home, and I feel I am picking up some new visual ideas to carry back with me.
14"x11" oil/cold wax on paper....
an evolving idea
|untitled as yet; 42"x36" oil/mixed media on panel|
A change has been underway in my work over the past year --a move toward more defined shape, and higher contrast, and more developed use of line. These changes in the form of my imagery have been coupled with a shift in what the work means to me--its content.
While I have long tied my imagery to specific places in which I have spent time such Ireland, Sweden, New Mexico and New Zealand, I find myself increasingly involved in ideas that are less referential. Although my specific experiences in these places remain very important, underlying my current work is something more universal and spiritual than geographic. I feel like I am finding my way into a bigger idea--an expression of the rightness and order of the natural world, encompassing some of its intriguing dichotomies--fragility and power, movement and stillness, peace and violence, present moment and timelessness.
In earlier posts I've written about moments of strong emotional connection in various wild, rugged places on my travels, and that these moments take hold as memories that feed my work. In the past few years with all the travel I have done, these memories have piled one upon another. I wonder if it is the accumulation of so many of these memories that have pushed me into the current changes in my work, That maybe what I am doing is attempting an integration of these experiences, drawing on what unites them. (A simplified overview; the shift has taken many months with various influences, processes, observations and intentions in play--perhaps material for a future post.)
|untitled as yet; 60"x36" oil and mixed media on panel|
In the painting above, I recognize the source of the strong shapes as the dramatic coastal areas of Ireland and New Zealand, where I have spent time in the past year, but I feel that I've pushed these shapes in a more iconic and symbolic direction. Though the painting is certainly related to past work, I am thinking about it in a different way, and perhaps that is the real key to making changes. In my work overall, I'm experiencing a welcome release from identifying my work with specific place memories, which was usually the case in the past.
In some of my new paintings, color plays a strong role in the form of bright glazes over dark underlying areas. Again I am feeling a freedom in using color for pure visual and emotional impact, apart from any direct reference to my memories, yet evocative of nature's contrasts.
|untitled as yet: 16"x16" oil/mixed media on panel|
None of the paintings in this post have titles...which shows that I am still in a little uncertain about how I want to describe them. The past months have been a time of transition; the piece below took many weeks to resolve and was the first in which I felt I'd found a place to land for a while. A struggle yes, but invigorating. The journey is young and I'm excited by the possibilities opening up.
|untitled as yet: 42"x36" oil/mixed media on panel|