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   Welcome to my blog! I'll be posting thoughts about art, photos, happenings, and other things that strike me--and hopefully my readers--as interesting. And please visit my website by clicking the link to the right--thanks!

   Also please check out my second blog, The Painting Archives to see older (pre-2004) paintings for sale.


Thursday, June 05, 2014
  adventures with terraskin
As readers of my blog know, I have been doing quite a few small works on paper lately and enjoying this quicker, more spontaneous approach alongside my more developed painting. And because my own interests often find their way into my workshops, I've been sharing some of these ideas with the artists I work with in my classes. Recently I wrote a blog post for the makers of TerraSkin, an intriguing paper made of stone, manufactured in Canada, about a technique I developed using their product with powdered charcoal and cold wax medium. To read the blog post, which includes step-by-step directions, click here. The post also includes a list of US distributors of the paper. I have been using the 16pt weight but it also comes in a lighter weight, sketchbook sized variety.

This is the charcoal and cold wax demo paintings that I did for that workshop:




I've also been using Terraskin for monotypes because I enjoy the way its smooth but absorbent surface holds every line and detail, and there is no need for soaking prior to printing. Although the prints tend to curl when just off the press, they quickly flatten out if placed under a book or other weight. Here is a recent example (6"x4" etching ink on Terraskin.)


TerraSkin also works well for straightforward painting with oils and cold wax medium. Again, it lends itself to crisp detail and fine edges, as well as resist and solvent techniques. Below, a small painting I did while on residency in Ireland last fall--my first encounter with TerraSkin.


Here's a bit more background about Terraskin, as found on their website:

**TerraSkin is a combination of mineral powder (>75%) and a small quantity (<25%) of non-toxic resin combined to create an environmentally friendly paper.
**The production of TerraSkin requires no water, so the TerraSkin papermaking process incurs no water pollutants.
**Used TerraSkin paper will start to degrade under the proper environmental conditions of high heat, moisture and UV light.
**Most importantly, in producing TerraSkin, the harvesting of trees is unnecessary, thereby safeguarding the natural environment’s beauty and biodiversity for all living beings.
**TerraSkin also has beautiful printing capabilities and a unique texture and feel. Because the paper is fiberless, it does not absorb ink like regular paper and also uses less ink than regular paper. Images stay much crisper and cleaner because the ink doesn’t bleed.
**TerraSkin is water – resistant and inherently strong and durable.



 
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       Rebecca Crowell