thoughts on landscape Like much of my current work, the shapes in the painting above (Ceide Fields, 36"x48" oil and mixed media on panel.) suggest land forms--craggy, textural--set against a pale background that can be read as sky or sea. This work comes out of my time in County Mayo, Ireland, a place where the strong shapes and complex textures of the bog and seacoast captured my eye and heart.

Landscape has been at the core of my work since my earliest years of art-making, and I've approached it in various ways over time--beginning with direct, representational recording of what I observed. Occasionally in these early days I would include a female figure representing "me." Below is an intaglio print from my undergrad years in which such a figure, seated in the lower left of the image, looks out at the scene. I see this now as an attempt to express my emotional connection to the experience of being alone in nature.


At the core of all my work over time is the expression of this connection.  Over time my work has evolved into abstraction emphasizing color and texture which seem to me to be the most direct conduits to the feelings and memories I associate with specific places. While I've allowed in some landscape imagery, for the most part I've downplayed the sense of "scenery" (suggested by pictorial depth and obvious clues such as horizon lines) in my work of the past 15 years or so.

I think of this recent work as expressing two aspects --inner and outer--of my personal experience in the Mayo landscape. The inner experience includes the the drama of weather and vistas, the gentleness of the bog, the crashing of surf, the quieting of thought, the moods of the time of day and the feeling of oneness with nature. The outer experience includes purely visual observations as well as awareness of ancient sites, geology and geography, culture and history. I'm enjoying the merging of the inner and outer experiences in these paintings.

  ¶ 8:25 PM