in northern italy
An olive tree outside my window, and the morning sun hitting red tiled rooftops on the opposite hillside. The scents of lavender and basil. Intricate brick work in a 17th century ceiling. A grey cat sprawled beneath an ancient wood ladder. Espresso, homemade bread, local cheese, and fresh juice made from watermelon, peach and lemon. Trees laden with pears, apples, figs, and elderberries. Church bells ringing in the village below.
It's morning at Cascina Rodiani
, the exquisite old inn just outside Como, in the Lombardia region of northern Italy, where I'm staying for 10 days and teaching two cold wax workshops. There are ten artists here for the class, from Italy, Switzerland, the UK, and the US. The group arriving next week is even more diverse, from seven countries including Australia, Sweden, Ireland, and Spain. We're working in a rustic, open-air atelier, where we are holding up well despite of the hot days.
This is my first time in Italy; I arrived here by bus on Wednesday straight from the airport in Milan. Aside from what I could see from the bus passing through the countryside, and the cities of Como and Chiasso, Switzerland (we are right on the border here) I saw very little until I arrived at the hotel. Although I have plans to visit with friends near Venice at the end of my stay, for now, the lovely grounds of this green hotel--its gardens, workshop, porches, ancient rooms and pathways, are my entire view of Italy.
As I've photographed the surroundings here, I'm reminded again that the essence of a place can be found in its details. Filtered through my personal perceptions, emotions, and experiences, the soul and spirit of particular places is what has guided my abstract painting ideas for years.
I am completely charmed by what I know of Italy so far through the textures and colors, the quality of light, and the poignant aspects of ancient objects I am seeing here at Cascina Rodiani.